Архив внутренней доски объявлений, часть 13 (36)

Для получения доступа к закрытому тестированию форума можно обратиться по электронному адресу, указанному ниже.

Приятного вам чтения!

P.S.: с любыми пожеланиями, предложениями, отзывами можно обращаться в e-mail admeister@mail.ru.

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Krzysztof Komeda – «Astigmatic» По договоренности с «польской стороной» сообщества, выложен диск Krzysztof Komeda – «Astigmatic». Вычитала на польском сайте, что это чуть ли не лучший альбом за все историю польского джаза
Послушать, посмотреть, почитать:
http://www.komeda.art.pl/muza-astigmatic.php




Исполнитель: Krzysztof Komeda
Название альбома: «Astigmatic»
Год выпуска: 1965
Стиль: jazz, polish
Битрейт: 320
Ссылка: ftp/Krzysztof Komeda/Krzysztof Komeda – «Astigmatic»

Информация для получения доступа к серверу сообщества:
http://community.livejournal.com/download_cd/1175035.html

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Много классической музыки. Играет прославленный американский скрипач Майкл Рабин:
http://www.badongo.net/file.php?file=Wieniavsky__2006-02-08_Veniavsky.rar

http://www.badongo.net/file.php?file=Равель+Хабанера+и+Цыганка+__2006-02-09_ravel_habanera_tziga.rar
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В разделе !!!Classical в папке Beethoven вы найдёте 3-ий и 5-ый Концерты для ф-но с оркестром в исполнении Рудольфа Серкина, а также скрипичный Концерт с Давидом Ойстрахом.
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В папке Mozart новое - Реквием и опера Дон Жуан.
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В папке Chopin заново залиты диски очень талантливого китайского пианиста Юнди ли, есть там и альбомы Альфреда Корто и Артура Рубинштейна.
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Красота требует жертв. Сижу, дергаю волоски из носа. Больно, пиздец как больно дамы и господа.

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Amalia Rodrigues - The Soul of Fado Для winter_dagger.

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Найдены песни с нового альбома НОМ "Более Мощный".
Помню, среди участников community были желающие послушать!



http://www.personal-mode.com/creative/rush/upload/NOM/BM/01.mp3
http://www.personal-mode.com/creative/rush/upload/NOM/BM/02.mp3
http://www.personal-mode.com/creative/rush/upload/NOM/BM/03.mp3
http://www.personal-mode.com/creative/rush/upload/NOM/BM/04.mp3
http://www.personal-mode.com/creative/rush/upload/NOM/BM/05.mp3
http://www.personal-mode.com/creative/rush/upload/NOM/BM/06.mp3
http://www.personal-mode.com/creative/rush/upload/NOM/BM/07.mp3

Кто залил - не знаю. Ссылка найдена здесь.
Информация об альбоме http://www.nomzhir.spb.ru/music/bolee/

PS Это НЕ целый альбом "Более мощный", а подборка синглов с него, продававшаяся на концертах НОМа в конце прошлого года.

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Lambarena - Bach to Africa

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Herbie Mann Концерт 65th Birthday Celebration (Live at the Blue Note), 192 VBR - интересует общественность? :)
(jazz, bossa nova). Будет кворум - выложу.


1. Batucada
2. Sonhos
3. Jungle Fantasy
4. Au Private
5. Give And Take
6. Jeeps Blues
7. Memphis Underground
8. Dippermouth

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Поиск: Оркестр Че Слышал, что тут уже выкладывали эту группу. Хотелось бы их диск золотой миллениум (впрочем, другого у них нет :)). Выложите еще раз, если не сложно. Спасибо!

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В процессе.....

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Anja Garbarek - (2001) Smiling And Waving Для тех, кто дружит с рапидшарой и любит протяжную но интересную музыку с женским вокалом
предлагается симпатичный альбомчик

Anja Garbarek - (2001) Smiling And Waving



Smiling & Waving
Anja Garbarek
Release Date 2001
Label Virgin

Genre World
Styles Ambient Pop, Dream Pop, Norwegian Folk
Битрейт: CBR 256 kbps
Ссылка
pass: pup_zemli



Anja Garbareks third album — and her first for a major label — is a departure
from her previous efforts in that shes enlisted the help of musicians who
understand how to blend her electronic textures with more organic
instrumentation. The daughter of ECM jazz saxophone legend Jan Garbarek, Anja
has moved far from the distorted soundscapes of her debut, the elegantly weird
Balloon Mood from 1996. Here she employs the talents and tactics of musicians
such as Mark Hollis (formerly of Talk Talk), Richard Barbieri and Steve Jansen
from Japan and Rain Tree Crow, respectively, and the production savvy of Steve
Wilson from Porcupine Tree. Her sound is all but impossible to describe, but
there are moments where the wispy, almost invisible vocal style of Stina
Nordenstam echoes in the mix, as the does the lyrical irony of Laurie Anderson,
and the broken poetic phrasing of Bjork. But this is no comparison, as shades
and specters of different music such as jazz, classical, rock, trip-hop, and
even dub waft through this airy mix, through all of them appear as ghosts,
musics that are what we remember them as, from some near future emptiness,
rather than as current constructs from which to make music from. There is the
notion of observance, Garbarek is always the outsider, witnessing small
occurrences in everyday life and reading who knows what into them. There is a
duet with Robert Wyatt, entitled "The Diver," where besides a double bass —
present in every track — there is little but a spare, lilting piano, some
string, and an oboe. The pairs voices comment on witnessing the art of a
divers plunge. Their voices entwine and then separate, creating a view both
from pool side and in Wyatts case, distance. The up-beat trip-hop of "Thats
All," where drum loops engage a chamber group with bass; a flute slips and
slides along underneath the listener like a ball rolling under the couch, almost
moving by you before it can be grasped: "And he crawls to the door in a warm
nurse/where he walks for the first time/surrounded by the dry clouds/he is
leaving a trail/thats all we know." The next piece, the melancholy, "And Then,"
with nothing but a bass, the London Session Orchestra, and harpist Helen
Turnstall, is at once a song of absence and arrival: "Unpack moments/the girl in
the redcoat turns/passing. Entering. Going places/bring her name under the chain
of lights/kneeling down/she throws herself into sound/passing. Entering. Going
places..." In the broken lyric and shimmering instrumental quality we hear an
artist emerging from her influences into a music of her own creation, shedding
the pop influences of her past; in the process she is unearthing a signature
music which turns in on itself before slowly opening to the listener in
mysterious and wonderful ways. Smiling & Waving is an opaque, sensual gem.

1 Her Room Garbarek 2:33
2 The Gown Garbarek 3:21
3 Spin the Context Garbarek 4:48
4 Stay Tuned Garbarek 4:16
5 You Know Garbarek 3:43
6 Big Mouth Garbarek 3:19
7 The Diver Garbarek 4:06
8 Thats All Garbarek 3:51
9 And Then Garbarek 4:25
10 It Seems We Talk Garbarek 4:57

2001 CD Virgin 5062
2004 CD EMI 850622

Vaughan Armon Orchestra
Richard Barbieri Effects, Analogue Synthesizer
Bill Benham Orchestra
Mark Berrow Orchestra
Richard Bissill French Horn
John Bradbury Strings
Phill Brown Engineer, Recording
Nick Bucknall Clarinet
Nick Coplowe Assistant Engineer
Dermot Crehan Orchestra
Ben Cruft Orchestra
Dave Daniels Orchestra
Tom Davidson Assistant Engineer
Ewan Davies Engineer, Recording
Miguel Diaz de Lopez Programming, Sound Design
Martin Ditcham Percussion
Simon Fischer Orchestra
Lincoln Fong Assistant Engineer
Anja Garbarek Percussion, Arranger, Programming, Vocals, Producer, Art Direction, Mixing, Sound Design
Isobel Griffiths
Tony Hinnegan Strings
Mark Hollis Piano, Arranger, Bass (Electric), Melodica, Producer
Steve Jansen Percussion, Drums
Paul Kegg Cello, Orchestra
Jorgen Knudsen Atmosphere
Boguslaw Kostecki Orchestra
Peter Lale Viola, Orchestra
Chris Laurence Bass
Tony Lewis Strings
The London Session Orchestra Strings
Martin Loveday Orchestra
John Mallison Engineer, Recording
Melinda Maxwell Oboe
Patrick McGovern Assistant Engineer
Mark McGuire Mixing
Perry Montague-Mason Orchestra
Robin O Neill Bassoon
Laurence Pendrous Organ, Piano, Fender Rhodes
John Pigneguy French Horn
Anthony Pike Clarinet
Tony Pleeth Cello, Orchestra
Laurence Power Orchestra
Frank Ricotti Vibraphone
Eddie Roberts Orchestra
George Shilling Engineer
Ray Staff Mastering
Mitsuo Tate Assistant Engineer
Cathy Thompson Orchestra
Theo Travis Flute, Flute (Bass), Saxophone
Helen Tunstall Harp
Ivo Jan Vanderwerff Strings
Godfrey Wang Score Orchestration
Andy Ward Assistant Engineer
Guy Wiffen Assistant Engineer
Kate Wilkinson Orchestra
Steven Wilson Guitar, Percussion, Piano, Arranger, Programming, Producer,
Engineer, Mixing, Sound Design, Recording
Dave Woodcock Orchestra
Gavyn Wright Violin, Orchestra Leader
Robert Wyatt Vocals

Cabestan - Tempete pour sortir

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Исполнитель: The Vandermark 5
Название альбома: Burn the Incline
Год выпуска: 1999
Стиль: Avant-Garde Jazz
Битрейт: 320
Ссылка: папка Ken Vandermark

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Нид хелп Добрый день, а не мог бы кто-то выложить на сервер хорошую немецкую поп-роковую комманду "Juli"?

Ну очень надо. Заранее спасибо.

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OST Жесть

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VA - Clicks and Cuts vol II - disk 3 В долнее к ранее выложенным CD 1 и 2 компиляции лейбла Mille Plateaux "Clicks and Cuts vol. II" добавлен недостающий CD 3.
Прошу не обращать внимание на "Disk 2", который прописан в тегах - на самом деле это 3-й диск, я ручаюсь. :)

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The Residents многоуважаемые участники сообщества, помогите пожалуйса с командой the Residents, буду очень благодарен! хотя бы что нибудь. спасибо.

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Henry Cow & Faust Live in Rainbow Theatre 1973 Исполнитель: Henry Cow and Faust
Название альбома: Live in London Rainbow Theatre
Год выпуска: 1973
Стиль: RIO
Битрейт: 192
Ссылка: ftp/Henry Cow

С благодарностью за выложенные бутлеги Henry Cow и Art Bears делюсь ещё одной редкостью.

1973, October 21
London, Rainbow Theatre (guests: DJ Perry (text), Ray Smith (ironing), Jane Colling & Sarah Greaves (painting), David Gale (son & lumi

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Alicia de Larrocha Господа, позволю себе еще раз попросить у вас выложить творчество пианистки Alicia de Larrocha.

Спасибо :)

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VA - Clicks & Cuts, volumes III and IV

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Если не сложно, выложите кто-нибудь пару альбомчиков "Yes", только хотелось бы сначала не live и не сборники.

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The Sound of Airplanes
Группа: The Sound of Airplanes
Альбом: Zeitleiste
Стиль: Screamo
Формат / Битрейт: можно выбрать, есть mp3 / 192 кбит/сек
Скачать: http://www.archive.org/details/aue509

Очень эмоциональная, с надрывом, с душераздирающим вокалом, музыка.

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Piano Magic "Incurable" [EP] (2006) ретранслирую попавшуюся ссылку

Исполнитель: Piano Magic
Название альбома: Incurable [EP]
Год выпуска: 2006
Стиль: shoegaze / gothic ethereal
Битрейт: VBR
Скачать альбом: (storeandserve...25.4Mb)

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Take 6, Cassandra Wilson Вот тебе и сходил за хлебушком... Внезапно прикупил последние (тьфу-тьфу-тьфу, не дай Бог, конечно) альбомы Take 6 - (2006) Feels Good и Cassandra Wilson - (2006) Thunderbird.
Если кто интересуется - могу выложить. Уже кодируется с битрейтом 320.

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Hoobastank кому-нить нужен?

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{ПОИСК} Reyli - La Descarada ищется сабж, похоже, это саундтрек к какому-то сериалу, но песня расчудесная
буду благодарна, если вышлете на que_tal@list.ru

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Больше Vandermark`a

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Cassandra Wilson - (2006) Thunderbird Не могу не поделиться свежим альбомчиком замечательной тетеньки

Cassandra Wilson - (2006) Thunderbird



Artist: Cassandra Wilson
Album Title: Thunderbird
Release Date: Apr 4, 2006
Label: Blue Note
Link: /Cassandra Wilson/Cassandra Wilson - (2006) Thunderbird/

Genre: Vocal
Styles: Ballads, Contemporary Jazz, Modern Delta Blues, Modern Electric Blues, Electric Blues,
Vocal Jazz, Modern Electric Chicago Blues, Soul-Blues, Urban
Битрейт: CBR 320 kbps
Объем: 114 Mb



Cassandra Wilsons swinging for her own creative fences this time. The sultry,
gentle, acoustic guitars on her last five recordings have been largely
jettisoned for a more keyboard-and percussion -friendly approach — which
includes lots of programming and loops. To that end, shes enlisted
flavor-of-the-year producer T-Bone Burnett and keyboardist Keith Ciancia. This
pair hired a stellar group of players that include drummer Jim Keltner, bassist
Reginald Veal (a near-constant here), guitarists Colin Linden and Marc Ribot,
and programming whiz Mike Elizondo. Mike Piersante plays "keypercussion" (read:
drum loops), Jay Bellerose and Bill Maxwell also contribute kit work. Keb Mo
guests on a track. Ever since signing to Blue Note, Wilsons walked a razor-wire
between blues, pop, and jazz, but her recordings have always been intimate
affairs whether she was singing songs by Robert Johnson or Van Morrison. While
she does preserve a degree of that intimacy here, some of it has fallen by the
wayside in favor of the near-constant presence of drum loops, with subtle
samples dropped in giving the entire proceeding a slightly more urban feel. A
startling example is "Go to Mexico," where a percussion loop and the vocal chant
from the Wild Tchapitoulas "Hey Pocky A-Way," are directly sampled with new
words and instrumentation layered over the top — including Veal copying the
bassline. In addition, Wilson sings in a voice not really heard from her before.
Intertwined with her trademark, smoky contralto (Wilson has been deeply
influenced by Abbey Lincoln and Betty Carter but has become a true song stylist
of her own), is a falsetto in the verse that feels like a deliberate attempt at
singing "straight" modern pop. The thin, compressed production with her vocal
mixed so high above the largely keyboard-driven instrumentation feels forced, at
odds with the tune, and nearly sterile. Thankfully, its the exception rather
than the rule on Thunderbird. The atmospheric keyboard line that introduces her
read of Jakob Dylan and the Wallflowers "Closer to You," gives way to Keltners
softly insistent trip-hop shuffle, Veals minimal bassline, and Ciancias piano,
keyboards, and loops are the working elements here. Wilsons guitar drifts in
under her aching, seductive vocal on the refrain as Veal subtly anchors her.
Wilsons read of Blind Lemon Jeffersons "Easy Rider" starts out that way — with
Linden and Ribot playing snaky and skeletal for the first two verses. It roars
to life about two-and-half-minutes in, fully electric, dirty, nasty, and
drenched in slow, deep swamp blues. Keltners playing is utterly transfixing
here. At a touch over seven minutes, its entrancing dynamics provide a virtual
journey though the blues both past and future. The slippery drum loops re-enter
on the band-written original "It Would Be So Easy," and here, club music touches
pop touches the roots of the blues — the former two happen because of the
instrumentation, the latter is due to Wilsons instrument, which embodies them
all and creates a new and ghostly meld. "Red River Valley" is the albums
centerpiece. Accompanied only by Linden electric slide guitar, it is full of
the desolation of the tunes intent, but framed in the context of the Delta.
Its one of two guitar/vocal duets here; the other one, the ballad "Lost," is
more late-night Julie London than Billie Holiday. Willie Dixons "I Want to Be
Loved" is wonderful update of the blues, and "Poet" may not hit the Urban Top
Ten chart, but it should; its wondrously soulful, sexy, and glossy. While
Wilson has certainly not lost any of her singular talent for interpreting the
Chicago blues through the lens of jazz and pop , she has expanded her palette
once more by creating an entirely new bag from which we might hear pop, through
the age-old hypnotic, sensual, incantory veil of the blues.

1 Go to Mexico Ciancia, Elizondo, Modeliste ... 4:14
2 Closer to You Dylan 5:49
3 Easy Rider Traditional 7:03
4 It Would Be So Easy Ciancia, Elizondo, Piersante ... 5:10
5 Red River Valley Traditional 5:52
6 Poet Ciancia, Wilson 5:27
7 I Want to Be Loved Dixon 4:03
8 Lost Burnett 3:34
9 Strike a Match Burnett, Coen 4:47
10 Tarot Ciancia, Keltner, Wilson 3:51

2006 CD Blue Note 63398
2006 CD Angel 633982

Jay Bellerose - Drums
T-Bone Burnett - Producer
Keith Ciancia - Bass, Piano, Strings, Arranger, Bass (Electric), Keyboards, Programming, Producer, Engineer, Synthesizer Strings
Mike Elizondo - Strings, Bass (Electric), Programming, Bass (Acoustic), Synthesizer Strings
Keb Mo - Guitar
Jim Keltner - Drums
Colin Linden - Guitar, Harmonica, Arranger
Gregoire Maret - Harmonica
Bill Maxwell - Drums
Mike Piersante Engineer, Mixing
Marc Ribot - Guitar
Reginald Veal - Bass (Electric), Bass (Acoustic)
Cassandra Wilson - Guitar (Acoustic), Arranger, Vocals

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